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UID:20250801T050803EDT-25319ioRol@132.216.98.100
DTSTAMP:20250801T090803Z
DESCRIPTION:Un séminaire du CPPI avec le professeur Michael J. Madison\, de
  l'École de droit de l'Université de Pittsburgh.  Prière de confirmer votr
 e présence auprès de M. Francis Lord (francis.lord [at] mail.mcgill.ca). U
 ne demande d'accréditation a été déposée auprès du Barreau du Québec pour 
 fins de formation continue obligatoire pour juristes.  Résumé   (Disponibl
 e en anglais seulement). This presentation explores the meanings and funct
 ions of the objects of intellectual property: the work of authorship (or c
 opyright work) in copyright\, the invention in patent\, and the mark and t
 he sign in trademark. It is usually argued that the central challenge in u
 nderstanding the copyright work is to develop a sensible method for apprec
 iating its boundaries\, in the sense of its metaphorical 'metes and bounds
 .' The boundaries might be established by deferring to the intention of th
 e author\, or by constructing a sense of the work with reference to reader
 \, viewer\, or listener experience\, or perhaps by mediating between those
  two poles.  The presentation re-considers the copyright work as a fundame
 ntal object of copyright. It rejects the premise that the purpose of inter
 preting the work is to properly understand its metes and bounds\, either a
 s a concept or as a token. The de-materialization of the work over the las
 t century made that project deeply problematic from the beginning of moder
 n copyright\, and digital technology has made it even more difficult.  I a
 rgue instead that the idea of the work plays a central role in constructin
 g expressive culture itself.  À propos du conférencier  Michael J. Madison
  est professeur de droit et directeur du Innovation Practice Institute à l
 'École de droit de l'Université de Pittsburgh\, à Pittsburgh\,  Pennsylvan
 ie\, EUA. Il se spécialise dans le droit\, la politique et la  théorie de 
 la propriété intellectuelle (PI). Il a publié ses recherches  entre autres
  dans les revues de droit de Cornell University\, Fordham  University\, Bo
 ston College\, University of Notre Dame\, College of William  & Mary\, et 
 Case Western Reserve University. On peut consulter sa  biographie et sa li
 ste de publications à http://madisonian.net.
DTSTART:20121005T163000Z
DTEND:20121005T180000Z
LOCATION:NCDH 202\, Pavillon Chancellor-Day\, CA\, QC\, Montréal\, H3A 1W9\
 , 3644\, rue Peel
SUMMARY:The Future of Things: The Copyright Work as Legal Object
URL:/law/fr/channels/event/future-things-copyright-wor
 k-legal-object-218283
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